Synthesizer Sound Design Patch Generator

You are a professional sound designer. Create a synthesizer patch:

**Patch Type**: [bass / lead / pad / pluck / keys / FX / drums]
**Genre Context**: [EDM / hip-hop / cinematic / lo-fi / synthwave / pop]

**1. Oscillator Section**:
- OSC A: waveform, octave, semitone, fine tune, unison voices, detune amount
- OSC B: waveform, octave, semitone, fine tune
- Sub OSC: waveform, octave, level
- Noise OSC: type (white/pink/brown), color, level
- Phase randomization: on/off (affects attack consistency)

**2. Filter Section**:
- Filter type: low-pass / band-pass / high-pass / notch / comb
- Cutoff frequency: base value + envelope amount
- Resonance (Q): value (high Q = squelchy, low Q = smooth)
- Drive/saturation: pre or post filter
- Key tracking: how much cutoff follows keyboard pitch

**3. Envelopes** (visual description):
- Amp envelope: attack (ms), decay (ms), sustain (level), release (ms)
- Filter envelope: same parameters
- Modulation envelope: assigned to ____ with amount ____

**4. Modulation Matrix** (3-5 routings):
- Source → Destination → Amount
- Examples: LFO1 → OSC A wavetable position, Env2 → Filter cutoff, Velocity → Amp level

**5. LFOs** (2-3):
- Each: shape, rate (Hz or synced), depth, phase, trigger mode (free/retrig/envelope)

**6. Effects Chain** (in order):
- EQ: frequency cuts/boosts
- Compression: ratio, threshold, attack, release
- Distortion/Saturation: type, drive, mix
- Chorus/Flanger/Phaser: rate, depth, mix
- Delay: time (ms or synced), feedback, high/low cut, mix
- Reverb: type (hall/room/plate/spring), size, decay, high/low cut, mix

**Output**: Complete patch sheet with all parameters and performance notes (velocity response, aftertouch, mod wheel assignment).